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Olivia & the House of Cards

I originally created Olivia because of her tears. The scientific makeup of a single human emotional tear contains a natural substance similar to morphine (named after Morpheus, the Greek god of dreams). The conflict of emotional release with pain depression is embodied by the nun, one who lives under many vows and yet, Olivia sits on a chair bursting with flowers in a position of power and wearing aggressive underwear. The quote she presides over rings so many bells but it could all just be clever packaging. After all, the most packaged of all commodities is still a woman. The whirling pack of cards fall where they may.

Opulent portraiture and extrovert fanta-pop, life-sized collages by Agatha Whitechapel.

Shown images: Pinocchio & the Blue Fairy, Olivia & the House of Cards, The Red Shoes + Red Hed.

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