ink & ech·o collective noun: the complete lifecycle of modern publishing; where ink (the written draft) meets the echo (the spoken audiobook sound wave).
BOOK EDITING
Freelance Developmental Editor for Sci-Fi, Fantasy, and Literary Fiction
A manuscript fails when worldbuilding outpaces execution. As a professional editor, I help authors bridge that gap, ensuring your complex universes feel grounded, seamless, and deeply immersive. I provide specialized editing services tailored to genres that demand intricate logic and vivid imagination:
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Sci-Fi & Fantasy: Balancing hard or soft magic systems, tech trees, and alien sociology with strong narrative arcs.
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Speculative Literary Fiction: Grounding high-concept, "what-if" premises in sharp, character-driven prose.
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Stylistic Editing & Transcreation: Polishing cadence, sentence-level mechanics, and voice. I adapt cross-cultural concepts, translated drafts, or non-native English manuscripts into fluid, natural, and evocative prose.
83 Speculative Fiction Titles. 5-Star Rated on Reedsy. Zero Fluff.
I am a marketplace-vetted editor with over 20 years of experience across journalism, magazine publishing, digital media platforms, and major European cultural institutions, shaping narratives for The Moving Page (TMP), an ink & echo studio. My background combines commercial audience analytics with rigorous research to help authors build sound narrative structures.
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Marketplace Verification: 83+ Sci-Fi and Fantasy titles formally edited and completed since May 2021, maintaining a consistent five-star rating across all client evaluations.
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Data-Backed Fiction Architecture: Former senior editor for a major digital-first publisher. Managed structural pacing and reader-retention analytics for high-volume, viral fiction releases.
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Historical & Cultural Verification: Intermittent editorial consultant for a premier national fine arts museum. I apply this experience to help authors anchor secondary-world fantasy, alt-history, and worldbuilding in authentic sociological and historical frameworks.
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Media & Publishing Foundation: Grounded in professional print environments, including staff roles in newsroom journalism and magazine publishing, alongside two decades of independent copy editing and proofreading.
Whether your manuscript is traditional Sci-Fi, Horror, Literary Fiction, or rooted in PUNK sub-genres like Steampunk, Cyberpunk, Biopunk … I can refine your narrative vision. I also provide book cover art direction, utilizing a network of trusted graphic designers to deliver a professional market-ready package.
People define the various types of editing differently, so here’s what we mean when we talk about the different forms:
DEVELOPMENTAL EDITING
Developmental editing, also called content or substantive editing, is detailed feedback on every part of your story. Think: Analysis. This is where I will refine your ideas, shape your narrative, and help you fix any major plot or character inconsistencies. Basically, I will look at just about every element of your story and tell you what works and what doesn’t, developing your book or your idea from bare concept or first draft. This is typically the first step in the editing process, where all elements are scrutinized to give you the best foundation upon which your story can grow, root strong. Characterization questions such as: Why are the characters behaving as they do? What are their motivations? Do these scenes add to the overall story? An analysis of your underlying theme(s) and how this changes, so that your concept is clarified from the get-go and your plot goes hand in hand. The developmental edit contains two pieces: an editorial report and an annotated manuscript. 1. The editorial report is a general critique of everything I think you should change, along with commentary on what’s functioning well and should stay in your work. 2. The annotated manuscript is a marked-up version of the manuscript itself, with specific suggestions on how you can fix each issue, my raw feedback and the editorial report as a summary of that feedback.
EDITORIAL ASSESSMENT
If a developmental edit is too extreme, but you still want detailed feedback, an EA would be a good port of call. This is an extremely valuable first overview of your manuscript by a professional editor. I will read through the entire manuscript and provide thoughtful, in-depth feedback concerning elements such as plot, characterization, structure, consistency and style. It is a lite version of its pickier twin and is hands-off, which means your manuscript will not be touched. An EA identifies your work's strengths and weaknesses and helps you devise a revision strategy that dramatically improves the execution of your idea. The assessment, especially when paired with a query letter review, can help bring needed polish to your querying package before you start contacting agents. TMP editorial assessments are never rude, snarky, sarcastic or dismissive — instead, their aim is to lay bare the problems in your manuscript, whatever they may be.
LINE & COPY EDITING
LINE EDITING steps away from big-picture plot mechanics to focus purely on the flow, voice, and artistry of your prose. It addresses the creative execution of your sentences, ensuring your writing is immersive and engaging. What I look at: Sentence structure, paragraph pacing, and stylistic consistency. What you get: A comprehensive pass to eliminate passive voice, tighten awkward phrasing, and smooth the transition between exposition and action. I sharpen your specific vocabulary choices to elevate the atmospheric tension of your speculative world. COPY EDITING provides a strict, technical review of your manuscript to enforce mechanics, readability, and absolute consistency. I ensure your book adheres to professional industry standards before it moves to proofreading. What I look at: Grammar, syntax, punctuation, spelling, and description continuity. What you get: Line-by-line correction of technical errors. I enforce absolute consistency across worldbuilding details, including the spelling of invented names, foreign languages, timeline sequencing, and punctuation conventions.
PROOFREADING
The final step in the editing process. It’s the ultimate polish before your manuscript goes to the printer or digital press. Ensuring a manuscript is free from tiny spelling and punctuation errors is critical. Many authors even hire more than one proofreader, double-checking that absolutely no mistakes get through. Proofreading requires a keen eye for detail and a systematic method for spotting every subtle error and typographical mistake. Copy editing and proofreading may also be combined at a discount rate.
TIME
How long depends on two things: What level of editing is being done AND the state of the manuscript.
As a rough guideline, copy-editing a full-length novel (about 80,000 words) in good shape can normally take anywhere from 3-4 weeks. We price and work according to the individual project, and our rates reflect those of the EFA (Editorial Freelancers Association).
Saying you love us? Ach...so much more than words ... read some of our testimonials!
GET YOUR PAGES MOVING?
FEES & CONTACT
If you are a writer, publisher or agent and would like to use The Moving Page services, please get in touch with me for a quote or further information at:
